Instead of judging works of literature based on their artistic
merit, we’ve decided to rank them by degree of difficulty. These 10
authors may not be Shakespeare, but they sure had vaulting ambitions.
1. The Story That Will Never Be an e-Book
Gadsby by Ernest Vincent Wright
Some might call
Gadsby
a “love” story. But Ernest Vincent Wright wouldn’t have used that word.
Instead, he described his novel as a story of “strong liking” and
“throbbing palpitation.” That’s because in 1939, Wright gave himself one
restriction: He promised to write
Gadsby without using the letter E.
Wright wanted to prove that a great author could work around such a
restriction and still tell a gripping story. To prevent any stray Es
from entering the text, he tied down his typewriter’s E key, and then
put his expansive vocabulary to the test. The result is an astounding
feat of verbal gymnastics. While vividly describing a wedding scene,
Wright manages to avoid the words “bride,” “ceremony,” and even
“wedding” (he calls it “a grand church ritual”). To explain away the
verbosity of the language, he uses a narrator whose poor command of
English and circumlocution even irritates the story’s other characters.
When
the book was announced, one skeptic attacked Wright in a letter,
claiming that the feat was impossible. “All right,” replied Wright in
the book’s intro, “the impossible has been accomplished.” Sadly, Wright
didn’t live long enough to revel in
Gadsby’s critical acclaim. He died the year the book was published.
2. The Tale Told in the Blink of an Eye
The Diving Bell and the Butterfly by Jean-Dominique Bauby
Many
authors have struggled through illness and injury to write their
masterpieces, but none more so than Jean-Dominique Bauby,
editor-in-chief of French fashion magazine
Elle.
In 1995, at the age of 43, Bauby suffered a major stroke and slipped
into a coma. He regained consciousness two days later, but his entire
body—with the exception of his left eyelid—was paralyzed.
Still, Bauby was determined to write. Using only his lucid mind and one eye, he began working on his memoir,
The Diving Bell and the Butterfly.
Each night, he’d lie awake editing and re-editing the story in his
mind, memorizing every paragraph as he hoped to relay it. By day, his
transcriber would recite the alphabet to him over and over. When she
reached a letter Bauby desired, he’d wink. Each word took about two
minutes to produce, and during the course of a year, Bauby managed to
tell his story of life in paralysis. His moving and often funny prose
won critical acclaim, and
The Diving Bell and the Butterfly
became a bestseller throughout Europe. Sadly, Bauby died of pneumonia in
1997, soon after the first edition was published in France. He missed
not only the English translation, but also the award-winning film
adaptation released in 2007.
3. The Poetry of Speed
Transcendence-Perfection by Sri Chinmoy
Before
his death in 2007, Indian spiritual master Sri Chinmoy wrote at least
1,000 books, 20,000 songs, and 115,000 poems. Some he penned in his
mother tongue, Bengali, and some in his second language, English. His
poems won numerous awards and inspired countless writers and musicians.
And while Sri Chinmoy was clearly a fast writer, he was never as quick
as on November 1, 1975, when he wrote
Transcendence-Perfection, a collection of 843 poems—all written in 24 hours.
How
was Sri Chinmoy so prolific? He believed the key was meditation. As he
once explained, “The outer mind is like the surface of the sea. On the
surface, the sea is full of waves and surges … But when we dive deep
below, the same sea is all peace, calmness and quiet, and there we find
the source of creativity.”
4. History’s Greatest Sonnet
“Washington Crossing the Delaware” by David Shulman
Etymologist David Shulman was a true lover of words. One of the most prolific contributors to the
Oxford English Dictionary,
Shulman tracked down the roots of Americanisms for more than 70 years.
But those weren’t Shulman’s only contributions to the world. During
World War II, he served in the army and used his language skills to
crack Japanese codes. His most astonishing feat as a wordsmith, however,
occurred in 1936, when he composed the sonnet “Washington Crossing the
Delaware.”
What makes the poem so remarkable is that every one of
Shulman’s 14 lines is an anagram of the title. What’s more, the lines
are rhyming couplets, and they tell a story, more or less. Here’s an
excerpt:
A hard, howling, tossing water scene.
Strong tide was washing hero clean.
“How cold!” Weather stings as in anger.
O Silent night shows war ace danger!
As poetry, it isn’t exactly Walt Whitman. But then, Whitman was never this good with anagrams.
5. Six Powerful Words
“Baby Shoes” by Ernest Hemingway
According
to legend, Ernest Hemingway created the shortest short story ever told.
While having lunch at New York City’s famous Algonquin Round Table,
Hemingway bragged that he could write a captivating tale—complete with
beginning, middle, and end—in only six words. His fellow writers refused
to believe it, each betting $10 that he couldn’t do it. Hemingway
quickly scribbled six words down on a napkin and passed it around. As
each writer read the napkin, they conceded he’d won. Those six words?
“For sale. Baby shoes. Never worn.”
While the anecdote may be
apocryphal, whoever did write “Baby Shoes” has forced writers forever
after to consider the economy of words. Today, the work has inspired
countless six-word memoir and story competitions, proving that a story’s
brevity is no limit to its power.
6. The Story of Youth
The Young Visiters, by Daisy Ashford
Daisy Ashford’s novella about Victorian society is considered something
of a classic. First published in 1919, the work is still in print and
has been turned into a movie. But if that doesn’t sound remarkable,
consider that Ashford was only 9 years old when she wrote it.
To preserve the authenticity of the story, publishers decided to leave
in Ashford’s plentiful grammar mistakes and spelling errors (the title,
for example). They also added a foreword by
Peter Pan author
J.M. Barrie to assure readers that this was no hoax. Barrie reminded
people that the novel was indeed written by a little girl, who was
“hauled off to bed every evening at six.”
7. The Most Visionary Story Ever Told
Futility by Morgan Robertson
Occasionally,
literature is prophetic. H.G. Wells’ stories, for instance, predicted
video recordings, portable television, aerial bombings, and a Second
World War starting in 1940 (only one year late). And a 1941 comic book
written by Gil Fox described the bombing of Pearl Harbor in surprising
detail, precisely one month before it happened.
But perhaps the most meticulously prophetic work of literature is Morgan Robertson’s short and poorly written novel,
Futility. In it, Robertson describes the maiden voyage of a British luxury liner called the
Titan, which claims to be unsinkable, but sinks anyway after hitting an iceberg. Nearly every detail resembles the story of the
Titanic. Of course, nobody thought about that when
Futility was released in 1898, a full 14 years before the
Titanic set sail.
Futility wasn’t Robertson’s only prescient piece of literature. In 1912, three years before his death, he wrote
Beyond the Spectrum.
Much like Gil Fox’s tale, Robertson’s story predicted a Japanese sneak
attack on an American fleet in Hawaii, and the resulting war between the
two countries.
8. Writing by Ear
Anguish Languish by Howard L. Chace
Sinker
sucker socks pants, apocryphal awry. If those words don’t make sense
together, try saying them out loud: “Sing a song of sixpence, a
pocketful of rye.” Now imagine a whole book written like this, and
you’ve got Howard L. Chace’s 1940 collection of nursery rhymes and fairy
tales,
Anguish Languish. The work contains classics such as
Marry Hatter Ladle Limb and Ladle Rat Rotten Hut, which begins with the
immortal line, “Wants pawn term, dare worsted ladle gull hoe lift wetter
murder inner ladle cordage.” Although
Anguish Languish is
playful, there was also a serious side to it. As a French professor,
Chace used the stories to illustrate that, in spoken English, intonation
is almost as important to the meaning as the words themselves.
9. James Joyce’s Deaf Translation Jam
Finnegans Wake by James Joyce
James Joyce wrote his final novel,
Finnegans Wake,
during a 17-year period in Paris, finishing the work just two years
before his death in 1941. During that time, Joyce was nearly blind, so
he dictated his stream-of-consciousness prose to his friend, Samuel
Beckett. That led to some unexpected results. For example, during one
session, Joyce heard a knock at the door, which was too quiet for
Beckett to perceive. Joyce yelled to the visitor, “Come in!” so Beckett
added “Come in!” to the manuscript. When Beckett later read the passage
back to Joyce, the author decided that he liked it better that way.
After several such sessions,
Finnegans Wake
became one of the most impenetrable works of English literature. But
the experience didn’t just affect Joyce’s novel; it seemed to have a
lasting effect on Beckett’s writing, as well. Beckett would go on to
become a leading playwright in the Theatre of the Absurd, where his
characters often spent their entire time on stage sitting in the middle
of nowhere, hoping that someone would hear their voice.
10. The Art of Writing by Committee
The President’s Mystery Story by Franklin Roosevelt and seven other novelists
Many
American presidents have written books, but only Franklin Roosevelt has
contributed to a mystery novel. At a White House dinner in 1935,
Roosevelt pitched his story idea to author Fulton Oursler. Roosevelt’s
tale started like this: A man named Jim Blake is trapped in a stale
marriage and a boring job. He dreams of running off with $5 million and
starting over with a new identity.
Unfortunately, the President
hadn’t worked out one major plot point: How does a man with $5 million
disappear without being traced?
To solve the problem, Oursler
formed a committee of five other top mystery writers: Rupert Hughes,
Samuel Hopkins Adams, Rita Weiman, S. S. Van Dine, and John Erskine.
Each author wrote a chapter and ended it with Jim Blake in a terrible
situation, which the next author was left to resolve. Despite being the
work of a Washington committee, the end result was surprisingly
successful.
The President’s Mystery Story was serialized in a magazine, published as a book, and even turned into a movie in 1936.
Yet,
the writers never came up with a solution to Roosevelt’s original
problem. That didn’t happen until 1967, when Erle Stanley Gardner wrote a
final chapter to a new edition of the book. In it, the secret to Jim
Blake’s mysterious disappearance is discovered by Gardner’s most famous
character, Perry Mason.
